the Hallmark Project

Making Portraits of the Stars we Love

Tag: inspiration

  • Black and White Studio Photography: Proof That Color Isn’t Everything

    Sexy lady on bed with stockings and white lingerie black and white photo long hair seductive pose with pillows.

    Let’s get one thing straight: black and white photography isn’t some vintage gimmick reserved for hipsters with film cameras and typewriters they don’t know how to use. It’s not “old timey,” and no, it didn’t die when color showed up to the party.

    Black and white photography is alive, kicking, and—dare I say—thriving, especially in the studio. While the rest of the world is busy drowning in neon filters and editing apps that turn your skin into plastic, black and white quietly steps in and says, “Let’s actually see something real for a change.”

    A Quick (and Not Boring) History Lesson

    Back in the day (we’re talking way back), photography was born in glorious… shades of gray. There was no color film, no saturation sliders, and definitely no face-smoothing filters. Just glass plates, chemicals, and a lot of standing very, very still.

    The earliest studio portraits were painstakingly slow. Subjects had to sit like statues for minutes at a time, which is probably why no one smiled—they weren’t grumpy; they were just trying not to blink.

    As technology improved, so did the style. The 19th and early 20th centuries gave us those iconic, moody portraits of everyone from Abraham Lincoln to your great-great-grandma (who, let’s be honest, looked kind of intimidating). These early studio images weren’t just pictures—they were events. People dressed up. They posed seriously. Because this wasn’t just snapping a quick pic. It was art.

    Then came color film, and everyone collectively lost their minds. Suddenly, grass could be green! Skies could be blue! Lipstick could be red! The world went technicolor, and black and white was kicked to the nostalgic curb.

    Or so we thought.

    So… Why Does Black and White Still Matter?

    You’d think in a world obsessed with color correction and Instagram palettes, black and white would be a relic of the past. But nope—turns out, stripping away color can actually add depth.

    Black and white studio photography forces you to focus on what really matters:

    Emotion.

    Expression.

    Light and shadow.

    Texture.

    Form.

    man and woman window light black and white portrait photo she is wearing a dress he is wearing a suit and tie.

    The Magic of the Studio (a.k.a. the Photographer’s Playground)

    In color photography, it’s easy to get distracted by a bold red jacket or someone’s very unfortunate choice of neon eye shadow. In black and white? There’s nowhere to hide. The photograph has to stand on its own—naked, raw, and unapologetically real.

    Let’s talk about the studio for a minute.

    The studio is not just a room with fancy lights and overpriced equipment. It’s a photographer’s secret lab—a controlled space where light obeys, shadows play nice, and every element is there because someone made an intentional choice.

    And when you take color out of the equation in this perfectly controlled space? You open up a whole new level of drama.

    No, not that kind of drama. We’re not talking soap opera crying-in-the-rain energy. We’re talking cinematic contrast, sculpted lighting, and portraits that hit you in the soul.

    Why Black and White Studio Photography Still Slaps in 2025

    Here’s the thing: black and white studio photography isn’t just “still relevant.” It’s having a moment—and frankly, it never stopped.

    1. Timelessness Never Goes Out of Style

    Trends come and go. Remember selective color portraits? (Yeah… those horrifying images where everything’s black and white except for the one red rose. Shudder.)

    But black and white done right? That’s forever.

    A well-lit black and white portrait doesn’t scream “2025” or “1983” or “the 1800s.” It just is. It lives outside of time. It has weight.

    2. Less Distraction, More Impact

    Color is great for storytelling, but it can also be loud. Black and white simplifies the scene. It quiets the noise and lets you actually see the subject.

    That tiny wrinkle at the corner of someone’s eye? That soft catch light in the pupil? That delicate texture of skin, fabric, hair?

    In black and white, those details scream. And yes, we’re listening.

    3. Lighting is the Main Character

    Studio photographers obsess over lighting. (Ask one about their softbox collection and cancel your afternoon plans.)

    Black and white takes that obsession to a new level. Without color to lean on, light becomes everything. The contrast, the shadows, the highlights—all of it creates mood, emotion, and dimension.

    In fact, black and white studio photography is often the best way to learn about light. If you can make a stunning portrait without color, you’re not just “taking pictures”—you’re mastering the craft.

    4. It’s Weirdly Flattering

    No one really wants to say it, but here we are: black and white is basically a built-in beauty filter.

    Skin tones become smoother. Blemishes vanish into shadows. Distractions like redness or uneven makeup? Gone. You’re left with something elegant, clean, and—dare I say—classy as hell.

    But Isn’t It Just… Boring?

    Okay, sure—black and white can be boring… when it’s done badly. Just like pizza can taste awful if you set it on fire.

    Slapping a grayscale filter on a bad photo doesn’t make it art. That’s called being lazy.

    But when you light it right? Pose with intention? Capture actual emotion?

    Black and white becomes anything but boring. It becomes bold. Brave. Striking. Soulful.

    And, for once, it doesn’t need color to stand out. It just is.

    Who Should Be Doing This?

    Everyone.

    Are you a photographer wanting to grow your skills? Shoot in black and white. It’ll teach you everything you never knew you needed to know about light.

    Are you a model or portrait subject? Try a black and white session. You’ll feel like a timeless icon and maybe even see yourself differently.

    Are you a brand looking to stand out? Black and white studio images are bold, elegant, and can set your visuals apart from the sea of oversaturated TikTok content.

    TL;DR (Too Long, Didn’t Read)

    Black and white studio photography isn’t a trend. It’s a tried-and-true art form that has stuck around for a reason. In a world where we’re constantly chasing the next big filter or aesthetic, it’s refreshing to return to something so simple… and yet so powerful.

    It strips away the fluff, silences the noise, and says: “Here. Look. This is what matters.”

    Not bad for something people once called “old-fashioned,” right?

    Final Thoughts:

    Next time you’re in the studio, do yourself a favor—turn off the color. Embrace the gray. Let the shadows play. You might be surprised by what you see when everything else disappears.

    Because black and white isn’t a lack of color—it’s a celebration of light, form, and texture.

    And honestly? That sounds like something the world could use a bit more of.

    Thanks friends! – Rich

  • The Pentax Spotmatic: The Classic That Changed Photography

    The Pentax Spotmatic: The Classic That Changed Photography

    If you’re into vintage film cameras, you’ve probably heard of the Pentax Spotmatic. Released in 1964, this camera quickly became a game-changer in the world of 35mm photography, and even today, it’s still revered by both collectors and photographers who appreciate the raw beauty of film. But what makes the Spotmatic such a legend? Let’s dive into its story and explore why it still holds a special place in the hearts of photography enthusiasts.

    The Birth of the Spotmatic

    The Pentax Spotmatic wasn’t just another camera – it was a response to the growing demand for more advanced, user-friendly 35mm SLRs (single-lens reflex cameras). Before the Spotmatic, most SLRs required external light meters or a lot of guesswork when setting exposure. The Spotmatic was a breath of fresh air because it introduced through-the-lens (TTL) metering, meaning photographers could now see how much light was hitting the film while they were composing their shot. That might sound basic today, but back then, it was revolutionary.

    Why the Spotmatic Stands Out

    1. TTL Metering – A Game-Changer:
      The Spotmatic was one of the first to offer TTL metering, which meant the camera measured the light through the actual lens you were using. No more guessing or relying on external meters! This made shooting much easier and more precise, and it really helped set the Spotmatic apart from its competition.
    2. The M42 Screw Mount – Lens Freedom:
      The Spotmatic used the M42 screw mount, a system that was widely adopted by many manufacturers at the time. This gave users access to a ton of lenses, both from Pentax and other brands. So, if you had a particular lens you liked, or found a great deal on one, you didn’t have to stick exclusively to Pentax gear. It was a simple, cost-effective solution for photographers on a budget.
    3. Built Like a Tank:
      The Spotmatic wasn’t just about tech features – it was built to last. With a solid, metal body and mechanical internals, it felt sturdy in the hand, like a tool rather than a toy. Whether you were out on the streets or in a studio, this camera could take a beating. It’s one of those cameras that feels like it could survive a fall off a table and still take great photos.
    4. A Light Meter You Could Trust:
      Inside the viewfinder, you had a light meter needle that moved as you adjusted your settings. The Spotmatic made it easy to see if your exposure was correct, under, or overexposed. It wasn’t flashy, but it worked – and that’s what mattered. It was simple, intuitive, and effective, something that every photographer could appreciate.
    5. The Evolution:
      Over the years, the Spotmatic line evolved. The Spotmatic II, Spotmatic F, and even the Spotmatic ES each introduced new features, like the Spotmatic F’s flash metering system, and the ES’s electronic metering. These updates kept the camera relevant and continued to build on the original’s strengths.

    Why the Spotmatic Still Matters

    It’s easy to see why the Pentax Spotmatic became a beloved camera. Not only did it give photographers a much-needed step forward in terms of usability, but it also maintained a high standard of quality. Even though it’s long out of production, it still remains a popular choice for film lovers and collectors.

    The Spotmatic’s legacy isn’t just about the tech; it’s about how it transformed the way people approached photography. Before TTL metering, shooting could be hit-or-miss, especially for beginners. The Spotmatic made photography more accessible and predictable. In a way, it helped bridge the gap between amateur and professional photographers.

    Still a Favorite Today

    Fast forward to today, and you can still find Spotmatics in great condition on the used market. For film photographers, there’s something special about the experience of shooting with a classic camera like this. The tactile feel of turning the dials, the mechanical sound of the shutter, and the joy of capturing moments on film – all of that is still alive in the Spotmatic.

    Whether you’re an analog purist or someone who just enjoys the nostalgia of vintage gear, the Pentax Spotmatic is a camera that holds its ground in the digital age. It’s more than just a relic; it’s a piece of photographic history that still offers a fantastic shooting experience.

    In Conclusion

    The Pentax Spotmatic didn’t just change the game – it redefined it. With its innovative TTL metering, robust build, and user-friendly design, it earned a special place in the hearts of photographers everywhere. Today, it’s not just a camera; it’s a symbol of a golden era in photography, reminding us of a time when every shot felt a little more intentional and a lot more special. If you get the chance to shoot with one, you’ll understand why the Spotmatic’s reputation still endures after all these years.

  • Embracing Failure: The Some Truths About Film Photography in the Digital Age

    Embracing Failure: The Some Truths About Film Photography in the Digital Age

    In an era where photos are taken, edited, and shared in seconds, film photography feels like stepping into a time machine — one that definitely has a few dents, scratches, and some questionable smells. Gone are the days of instant results and flawless selfies. Instead, we’re left with a roll of film, a prayer, and a few hundred dollars of developing costs to figure out if we managed to capture anything resembling a good shot.

    But here’s the thing: film photography is basically the art of embracing failure. You press that shutter button, hope you nailed the shot, and then spend weeks praying to the photography gods that your exposure wasn’t a complete disaster. Spoiler alert: sometimes it is, and it’s hilarious.

    Unlike the instant gratification of digital cameras, film gives you zero feedback. No “Hey, you missed the focus” text. No “maybe don’t try shooting into the sun next time” notification. You just shoot, pray, and wait. And let’s be honest, half the time the results are… not what you intended. Maybe your exposure’s all off, maybe you misframed, or maybe that one shot you thought was artsy is just a blurry mess. But here’s where the magic (or chemistry) happens: that mess is the art.

    “…that mess is the art”.

    In the digital world, we’re obsessed with perfection. We take 20 photos of the same thing and pick the one where our hair’s perfectly in place and the lighting makes us look like we belong in a high-end perfume ad. But with film? Those imperfections — the soft grain, the accidental double exposure, or the totally “why did I think that was a good idea” color shift — can be surprisingly beautiful. They’re like a fingerprint of your experience, and the best part is: they’re totally unintentional.

    And let’s talk about patience. With digital cameras, it’s tempting to just snap away until you get the perfect shot. But with film, you get 24 or 36 frames, and each one feels like a little treasure hunt. You actually think before you click. And then, inevitably, you fail. But failing is the point! It’s a reminder that every “mistake” is an opportunity to learn, laugh, and try something new next time — like maybe not using that funky filter you found on Etsy.

    So, the next time you get that roll of film developed and the results are a hot mess of poorly timed exposures and awkward compositions, don’t panic. Embrace the chaos. Laugh at your blurry mistakes. Because at the end of the day, film photography is less about perfection and more about capturing real, human moments — even if those moments include way too much sunflare or your friend looking very confused mid-shot.

    In the world of perfect pixels and Instagram filters, film teaches us that sometimes the best shots are the ones that didn’t go as planned. And hey, isn’t that just like life?

  • Happy Easter Everyone!

    Easter bunny dog ear wearing happy easter iimage three dogs

    Happy Easter everyone, and may the bunnies come and bring plenty of treats for the little ones (or grown ups if you’re like me and need some sweet treats!).

    I wanted to take a moment to thank everyone who has stopped by and given words of encouragement, and thank the good folks at the film photography project for their inspiration & work to keep the film photography community growing.

    If it weren’t for them, and folks like the awesome Mat Marash (yes with one T) I wouldn’t have had the courage to move up to my preferred medium of large format film, and photography.

    Another great thanks to the family, and friends who have always been supportive of my artistic endeavors, and I firmly believe that you need that supportive network, since at some point you will find yourself low and questioning it all, which is where the support comes in.

    I should mention that family can be adopted family, or simply people who love and support you no matter what.

    With that I say again, happy Easter to all! And even if you don’t celebrate the religious aspect, enjoy something tasty and sweet!

    At least until as a famous Hollywood actor said it’s time to “…put the bunny back in the box..”.

    Until next time,

    -Rich